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Good Grounds: A Reading and Performance Series
The maker’s survival matters. The receiver’s survival gives the work its second life. A new collaborative series exploring the Receiver Turn.
Receiver TurnWonderful Garbage
Featured
The Receiver Turn: From Testimony to Invitation
Josephine Foster: The Ornamental Hermit
Thirty Years of Creative Practice
Rangmanch Collective: Mumbai
Beautiful Garbage as Alternative to Violence
Featured Collection
The Receiver Turn: From Testimony to Invitation
Asking if work can shift from “I” to “we” transforms each piece from personal witness into communal threshold.
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Recent Writings
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Something Else Wearing Noir’s Coat: Whose Land? Whose Labor?
Not the doomed. What stands through. Colony as the crime scene that never closes.
Oyparaploo NoirPressure Ghosts
Josephine Foster: The Ornamental Hermit of American Song
A portrait from the Musicological Witness Series. Voice as habitation, song as place.
Witness SeriesLovely Quietness
Two Plates of Food and a River We Used to Know
What happens when the land that fed you can’t feed itself anymore.
Middle EyeReceiver Turn
Everything the Hand Forgot: Pressure Studies in Clay and Thread
Materials holding the memory of what pressed against them. A tactile archive.
Wonderful GarbagePressure Ghosts
The Practice Behind the Work
A three-layer methodology for collaborative writing. Lovely Quietness. Verification. Master revision.
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