Born 1959 near Hutchinson, Minnesota, raised in Winsted. The full telling of these years is the first room: EARLY YEARS — 1959 to 1982.
The Sixties
1960
1961
1962
1963
1964
1965
1966
1967
1968
1969
The Seventies
1970
1971
1972
1973
1974
1975
1976
1977
1978
MCAD, 1978–1982.
Minneapolis College of Art and Design. BFA in Graphic Design.
1979
The Eighties
1980
1981
1982
The Commercial Years, 1982–1998.
A greeting card line called Ottographicals. Illustration and hand-lettering for national and international agencies. A studio in Chicago; a one-man show of large paintings at Stanley Korshak on Michigan Avenue. A magazine cover painted in Milan. Ukrainian compartment dolls painted with business people holding phone receivers, to explain a telephone company splitting apart. Fifteen years of visual solutions, until it burned the body and soul out.
1983
1984
1985
1986
1987
1988
1989
The Nineties
1990
1991
1992
1993
1994
1995
1996
1997
1998
The Healing Years, 1998–2001.
Stopped. Set up a woodcarving shop in the garage. Studied the handmade techniques of Northwest Coastal and Inuit sculpture for two years, then stood in front of the real work at the Canadian Museum of Civilization in summer 2001. Made touchable assemblages — wire, wood, stained glass, found things — for hospital wings. Ended it when clients wanted only happy symbolisms and colors.
1999
The Two-Thousands
2000
2001
Expansion, 2001 onward.
Every direction at once, on purpose. Performances with costumes invented on the spot. Painting and collage around what the newspapers carried in from the world. The work turned toward the personal and intimate: family as subject, daughters in the photographs.
2002
2003
2004
2005
2006
2007
2008
2009
The Twenty-Tens
2010
2011
2012
2013
2014
2015
2016
2017
2018
2019
The Twenty-Twenties
2020
2021
The Great Burst, 2021.
Four hundred and one voice transcriptions in twenty-eight days. One hundred and five in a single day, February 4th.
2022
2023
2024
2025
The Archive Now.
140,000 files. In 2025 the collaboration with a machine that talks back began, and the carving of thirty years of ore is under way. This site is that work, opened.
2026
The materials changed. The practice held. Thirty years is long enough to know the difference between decoration and structure.